For the second time this week, two celebrities whom I follow on Twitter have used the forum to engage in personal battles. Keith Olbermann was one, Patton Oswalt the other. Once upon a time I enjoyed Olbermann’s MSNBC Countdown but he’d long grown insufferable and it’s been years since I have watched the show (now on another network). Until last week his content was mostly about baseball and largely forgettable and I’d only continued to follow him because, frankly, I’d forgotten I was. Suddenly he was involved in a flame war with some guy over who-knows-what, and with the click of a mouse, Olbermann was deleted from my feed.
The Oswalt situation was similar and different. One is that Oswalt is an entertaining tweeter. Two was the very nature of the debate. In the Olbermann argument he was angry about something a reporter was writing about him. In the second case, a comedienne in Los Angeles by the name of Barbara Gray was a witness to Oswalt’s onstage behavior and was sufficiently perturbed to blog about it. Apparently Oswalt had dropped in to do a set in the upstairs area of a Chinese restaurant where he could work on some new material in front of a presumably tiny audience. A woman attending the show with a couple of friends took it upon herself to take some video of the performance. There is no dispute that Oswalt was bothered and that he asked her to stop shooting. There is also no dispute that as she was leaving and after she left he made disparaging remarks about her.
I follow enough comedy to know that Gray is little-known while Oswalt is a star on his way to becoming a superstar. I have little doubt Ms. Gray’s blog post was made to draw attention to herself. It probably wouldn’t have worked. She’s got shy of 2,500 followers on Twitter and likely only slightly more traffic on her blog than I do on mine. Except that Oswalt got wind of Gray’s post, and retweeted it to his Twitter audience of nearly 600,000 people.
Oswalt eventually took to defending himself in 560 characters or less, then today posted his own rebuttal blog entry. It’s clear why he gave Gray the attention she was craving, as he was looking for a reason to address the substantive issues presented by his run-in with the audience member such as the right not to have your intellectual property appropriated by third-parties, the importance of a comedian’s having an avenue to try out new material before it’s ready for prime-time, etc. I’m sure he was also pissed at the girl and Barbara Gray. As a layperson, it’s hard not to side with Oswalt. He’s capable of earning tens of thousands of dollars or more for a polished performance but is out there for free. There are good reasons for that, a couple of which I mentioned. Patton does a better job of explaining it in his post.
I recently bought the download of Louis C.K.’s performance in which he humorously – but seriously – asks the audience to just sit for an hour and enjoy the show, not to Tweet it or photograph or videotape it. Mostly they oblige, though of course there’s the typical idiot that shouts something about eight minutes in. C.K. quickly dispatches him. As the uninformed observer it seems that sometimes the audience feels it’s okay to inject themselves into a comedian’s performance. I remember it happening in Eddie Murphy’s 1983 standup film “Delirious”, and the only time I’ve ever seen a comedic performer in a live, intimate setting (Joe Rogan at The Comedy Store in early 2004) a couple of drunken girls got loud and out of line. Rogan destroyed them verbally, so efficiently and humorously that I would have thought the whole thing staged if I didn’t know better. I wasn’t at the Palace last week, so I can only draw conclusions based on what I have read – more specifically the parts I read on which Gray and Oswalt are in agreement. Camera video wasn’t as ubiquitous in 2004 as it is now, but to me it seems that shooting video – then having the temerity to tell the artist that he will want to see it – is just a techy way for the observer to try and make him or herself part of the show. Since they are decidedly NOT the show, I have little concern for the way in which the person who IS the show chooses to react. You started up with a professional comic: What did you think was going to happen? On the other hand, it’s hard not to see Patton as a bit of a bully, not towards the girl with the cameraphone so much as Barbara Gray. He’s a major star and she isn’t. Yes her post was very critical of him, but that goes with the territory when you’re a celebrity. People are going to take shots, even when it’s done passive-aggressively under the “I think he’s the best” guise. I certainly won’t stop listening to or watching him as even if everything Ms. Gray wrote is taken as fact, it doesn’t add up to a whole lot. Still, I believe there are good uses for Twitter and bad ones, and I think Oswalt could have made all of his points just as effectively with a blog post, or a sidenote to the audience before starting his “practice” acts. 140-character flame wars just aren’t very interesting, even if you’re as funny and talented as Patton Oswalt.